Jazz Combo

Fun and jazzy 1930s clarinet lead number with accompanying trombone solo and rhythm section-- light, wistful, and swinging. Imagine Woody Allen in a New York jazz club! A vocal version can be heard on SIS018, track 3.

3:55

Slow tempo 1940s clarinet lead with piano trio (piano, guitar and bass)-- slinky mischievious, and swinging. Hollow body guitar solo reminiscent of Joe Pass or Herb Ellis and piano solo similar to Nat Cole or Bobby Short after the clarinet. Imagine Pete F

3:45

Tom tom drum solo starts off leading to a classic 1940s solotone trombone solo followed by a sax soli section-- in traditional jazz style reminding the listener of Benny Goodman or Glenn Miller. ""Society"" small group jazz style with sax, trombone, trumpet

2:32

Uptempo 1940s World War II swing style-- clarinet soloist in a style similar to Benny Goodman or Pete Fountain-- a ""society"" small group jazz style with clarinet, sax, trombone, trumpet, and full rhythm section. Full Big Band version available on SIS Big

2:17

Fast bebop track similar in style to a 1940s or 1950s recording hearkening to Dizzy Gillespie, Charlie Parker, Charlie Christian or any of the great New York artists. Trumpet and sax play the ""head"" in unison, and take bebop solos on the same progression,

3:45

Fast bebop track similar in style to a 1940s or 1950s recording hearkening to Dizzy Gillespie, Charlie Parker, Charlie Christian or any of the great New York artists. Trumpet and sax play the ""head"" in unison, and take bebop solos on the same chord progre

2:26

Fast bebop track featuring guitar soloing in the style of Joe Pass, Barney Kessel or Charlie Christian. A second guitar accopanies the soloist.

1:48

1950s vintage strip club track-- slow and sultry, bawdy and sexy, this track captures the feeling of a ""gentleman's club"" from the old era, before the music styles changed. A full big band version is available on the SIS Big Band CD.

2:30

Piano quartet (piano, upright bass, hollow body electric guitar and drums) playing a New Orleans style song--piano soloist plays in a stlye similar to Erroll Garner or Dudley Moore. Swinging and bouncy, perfect for an intimate jazz club. A version with ho

2:07

Sultry and breathy 1950s or 1960s style tenor sax soloist with piano, upright bass and hollow body electric guitar-- slow and reflective, sounds like the last number after a long set at the local jazz watering hole.

2:59

Uptempo 1950s or 1960s piano quartet (piano, upright bass, hollow body electric guitar and drums)-- bluesy, driving, lots of attitude, with swinging guitar and piano solos. Piano style range remind one of the 33 1/3 rpm records of Oscar Peterson or Ramsey

2:46

Uptempo 1950s or 1960s piano quartet (piano, upright bass, hollow body electric guitar and drums)-- bluesy, driving, lots of attitude, with swinging guitar and piano solos. Piano style range remind one of the 33 1/3 rpm records of Oscar Peterson or Ramsey

3:52

Medium tempo 1950s piano quartet (piano, upright bass, hollow body electric guitar and drums)-- with the piano soloist playing in the ""locked hands"" style made famous by George Shearing. Solo piano version on SIS011, track 17.

2:34

Uptempo, swinging, Rat Pack, 1950s style track with alto sax lead and piano, upright bass, hollow body electric guitar, and drum accompaniment. Vocal version can be heard on SIS020-1 (""Come See Me Tonight"").

2:12

Medium tempo, swinging, Rat Pack, 1950s style track with piano lead and accompanied by upright bass, hollow body electric guitar, and drums. Piano plays a single line solo that plays homage to the styles of Ahmad Jamal, Wynton Kelly or Nat Cole. Vocal ver

2:32

Slow and reflective track featuring the Harmon muted trumpet sound made famous by Miles Davis-- accompanied by piano, upright bass and drums with brushes. Piano solo after the ""head"" played in a style consistent with Bill Evans or Monty Alexander.

2:52

Alto sax solo with vibraphone and light piano fills and strings has a smoky film noir sound. Imagine Humphrey Bogart as a private eye in a 1940s black and white movie! A short version with sax and vibes only can be heard on SIS011-16.

3:08

Medium tempo funky piano based track accompanied by bass, hollow body electric guitar and drums. Piano plays the bluesy tune and takes a solo, followed by a guitar solo and the piano ending the tune as it began. 1960s Blue Note style track could be inspir

2:54

Fast bluesy track accompanied by bass, hollow body electric guitar and drums. Piano plays the bluesy tune and takes a solo, followed by a guitar solo and the piano ending the tune as it began. 1960s Blue Note style track could be inspired by Ramsey Lewis

2:09

Alto flute plays the tune accompanied by flugelhorn and piano, upright bass and drums. 1950s uptempo hipster jazz-- a very ""New York"" sound-- tune modulates after each chorus. Song version can be heard on SIS018-8.

3:17

Las Vegas style jazz combo--with trumpets, trombones, saxes, piano, guitar, upright bass and drums. Exciting solos taken by flute and sax-- imagine a 1950s or 1960s style Rat Pack sound. Full big band version can be heard on SIS Big Band CD.

2:12

Jump swing number with exciting guitar solo throughout-- in a style inspired by the Brian Setzer Orchestra or Big Bad Voodoo Daddy. Full big band version can be heard on SIS Big Band CD.

1:53

Hip and jumpy jazz tune with Hammond B3, sax, trumpet, guitar, bass and drums. 1960s swingin' London jazz sound-- reminds one of ""The Sopranos"", ""Get Shorty"" or ""Married To The Mob"".

2:02

Fun and jazzy 1930s clarinet lead number with accompanying trombone solo and rhythm section-- light, wistful, and swinging. Imagine Woody Allen in a New York jazz club! A vocal version can be heard on SIS018, track 3.

0:30

Slow tempo 1940s clarinet lead with piano trio (piano, guitar and bass)-- slinky mischievious, and swinging. Hollow body guitar solo reminiscent of Joe Pass or Herb Ellis and piano solo similar to Nat Cole or Bobby Short after the clarinet. Imagine Pete F

0:30

Tom tom drum solo starts off leading to a classic 1940s solotone trombone solo followed by a sax soli section-- in traditional jazz style reminding the listener of Benny Goodman or Glenn Miller. ""Society"" small group jazz style with sax, trombone, trumpet

0:30

Uptempo 1940s World War II swing style-- clarinet soloist in a style similar to Benny Goodman or Pete Fountain-- a ""society"" small group jazz style with clarinet, sax, trombone, trumpet, and full rhythm section. Full Big Band version available on SIS Big

0:30

Fast bebop track similar in style to a 1940s or 1950s recording hearkening to Dizzy Gillespie, Charlie Parker, Charlie Christian or any of the great New York artists. Trumpet and sax play the ""head"" in unison, and take bebop solos on the same progression,

0:30

Fast bebop track similar in style to a 1940s or 1950s recording hearkening to Dizzy Gillespie, Charlie Parker, Charlie Christian or any of the great New York artists. Trumpet and sax play the ""head"" in unison, and take bebop solos on the same chord progre

0:30

Fast bebop track featuring guitar soloing in the style of Joe Pass, Barney Kessel or Charlie Christian. A second guitar accopanies the soloist.

0:30

1950s vintage strip club track-- slow and sultry, bawdy and sexy, this track captures the feeling of a ""gentleman's club"" from the old era, before the music styles changed. A full big band version is available on the SIS Big Band CD.

0:30

Piano quartet (piano, upright bass, hollow body electric guitar and drums) playing a New Orleans style song--piano soloist plays in a stlye similar to Erroll Garner or Dudley Moore. Swinging and bouncy, perfect for an intimate jazz club. A version with ho

0:30

Sultry and breathy 1950s or 1960s style tenor sax soloist with piano, upright bass and hollow body electric guitar-- slow and reflective, sounds like the last number after a long set at the local jazz watering hole.

0:30

Uptempo 1950s or 1960s piano quartet (piano, upright bass, hollow body electric guitar and drums)-- bluesy, driving, lots of attitude, with swinging guitar and piano solos. Piano style range remind one of the 33 1/3 rpm records of Oscar Peterson or Ramsey

0:30

Uptempo 1950s or 1960s piano quartet (piano, upright bass, hollow body electric guitar and drums)-- bluesy, driving, lots of attitude, with swinging guitar and piano solos. Piano style range remind one of the 33 1/3 rpm records of Oscar Peterson or Ramsey

0:30

Medium tempo 1950s piano quartet (piano, upright bass, hollow body electric guitar and drums)-- with the piano soloist playing in the ""locked hands"" style made famous by George Shearing. Solo piano version on SIS011, track 17.

0:30

Uptempo, swinging, Rat Pack, 1950s style track with alto sax lead and piano, upright bass, hollow body electric guitar, and drum accompaniment. Vocal version can be heard on SIS020-1 (""Come See Me Tonight"").

0:30

Medium tempo, swinging, Rat Pack, 1950s style track with piano lead and accompanied by upright bass, hollow body electric guitar, and drums. Piano plays a single line solo that plays homage to the styles of Ahmad Jamal, Wynton Kelly or Nat Cole. Vocal ver

0:30

Slow and reflective track featuring the Harmon muted trumpet sound made famous by Miles Davis-- accompanied by piano, upright bass and drums with brushes. Piano solo after the ""head"" played in a style consistent with Bill Evans or Monty Alexander.

0:30

Alto sax solo with vibraphone and light piano fills and strings has a smoky film noir sound. Imagine Humphrey Bogart as a private eye in a 1940s black and white movie! A short version with sax and vibes only can be heard on SIS011-16.

0:30

Medium tempo funky piano based track accompanied by bass, hollow body electric guitar and drums. Piano plays the bluesy tune and takes a solo, followed by a guitar solo and the piano ending the tune as it began. 1960s Blue Note style track could be inspir

0:30

Fast bluesy track accompanied by bass, hollow body electric guitar and drums. Piano plays the bluesy tune and takes a solo, followed by a guitar solo and the piano ending the tune as it began. 1960s Blue Note style track could be inspired by Ramsey Lewis

0:30

Alto flute plays the tune accompanied by flugelhorn and piano, upright bass and drums. 1950s uptempo hipster jazz-- a very ""New York"" sound-- tune modulates after each chorus. Song version can be heard on SIS018-8.

0:30

Las Vegas style jazz combo--with trumpets, trombones, saxes, piano, guitar, upright bass and drums. Exciting solos taken by flute and sax-- imagine a 1950s or 1960s style Rat Pack sound. Full big band version can be heard on SIS Big Band CD.

0:30

Jump swing number with exciting guitar solo throughout-- in a style inspired by the Brian Setzer Orchestra or Big Bad Voodoo Daddy. Full big band version can be heard on SIS Big Band CD.

0:30

Hip and jumpy jazz tune with Hammond B3, sax, trumpet, guitar, bass and drums. 1960s swingin' London jazz sound-- reminds one of ""The Sopranos"", ""Get Shorty"" or ""Married To The Mob"".

0:30