Tudor And Renaissance

Pensive recorder and duduk over early string ensemble. Beautiful, reflective, romantic and slow. (Main Version)

2:36 · 75 BPM

Pensive recorder and duduk over early string ensemble. Beautiful, reflective, romantic and slow. (60 sec of PMOL 122 Tk1)

1:01 · 75 BPM

Pensive recorder and duduk over early string ensemble. Beautiful, reflective, romantic and slow. (30 sec of PMOL 122 Tk1)

0:31 · 75 BPM

Gently filmic, cheery Tudor wind ensemble with lute and light percussion. Neutral and positive. (Main Version)

2:43 · 110 BPM

Gently filmic, cheery Tudor wind ensemble with lute and light percussion. Neutral and positive. (60 sec of PMOL 122 Tk4)

1:01 · 110 BPM

Gently filmic, cheery Tudor wind ensemble with lute and light percussion. Neutral and positive. (30 sec of PMOL 122 Tk4)

0:31 · 110 BPM

Recorder-led arrangement of Tudor composer John Downland's bitter-sweet love song from 1597, with lute, viol da gamba and percussion. (Main Version)

2:26 · 100 BPM

Recorder-led arrangement of Tudor composer John Downland's bitter-sweet love song from 1597, with lute, viol da gamba and percussion. (60 sec of PMOL 122 Tk7)

0:59 · 100 BPM

Recorder-led arrangement of Tudor composer John Downland's bitter-sweet love song from 1597, with lute, viol da gamba and percussion. (30 sec of PMOL 122 Tk7)

0:32 · 100 BPM

Tudor/Renaissance fanfare with sackbuts, shawm, lute and recorder sections. (Main Version)

2:22 · 100 BPM

Tudor/Renaissance fanfare with sackbuts, shawm, lute and recorder sections. (60 sec light version of PMOL 122 Tk10 with tambourine and without bass)

1:02 · 100 BPM

Tudor/Renaissance fanfare with sackbuts, shawm, lute and recorder sections. (30 sec of PMOL 122 Tk10 - builds from fanfare)

0:33 · 100 BPM

Tudor/Renaissance fanfare with sackbuts, shawm and recorder. (30 sec of PMOL 122 Tk10 - fanfare only - 16 bars)

0:31 · 100 BPM

Tudor/Renaissance fanfare with sackbuts, shawm and recorder. (17 sec Sting A of PMOL 122 Tk10 - 8 bars solo fanfare)

0:17 · 100 BPM

Tudor/Renaissance fanfare with sackbuts, shawm and recorder. (10 sec Sting B of PMOL 122 Tk10 - 4 bars of fanfare first half)

0:10 · 100 BPM

Tudor/Renaissance fanfare with sackbuts, shawm and recorder. (10 sec Sting C of PMOL 122 Tk10 - 4 bars of fanfare second half)

0:10 · 100 BPM

Tudor/Renaissance fanfare with sackbuts, shawm, lute and recorder sections. (6 sec Sting D of PMOL 122 Tk10 - short fanfare - 2 bars)

0:06 · 100 BPM

Solo recorder plays well-known 16th century English lullaby with building, early instruments accompaniment. (Main Version)

2:20 · 92 BPM

Solo recorder plays well-known 16th century English lullaby with building, early instruments accompaniment. (Sub-section of PMOL 122 Tk18 from percussion intro)

1:34 · 92 BPM

Solo recorder plays well-known 16th century English lullaby with building, early instruments accompaniment. (30 sec A of PMOL 122 Tk18)

0:32 · 92 BPM

Solo recorder plays well-known 16th century English lullaby. (30 sec B of PMOL 122 Tk18)

0:30 · 92 BPM

Strident Elizabethan romp featuring assorted reeds and stirring percussion. (Main Version)

1:34 · 95 BPM

Strident Elizabethan romp featuring assorted reeds. (Alternate version of PMOL 122 Tk22 without drums)

1:34 · 95 BPM

Strident Elizabethan romp featuring assorted reeds and stirring percussion. (Underscore of PMOL 122 Tk22 without topline instruments)

1:03 · 95 BPM

Strident Elizabethan romp featuring assorted reeds. (Underscore of PMOL 122 Tk22 without topline instruments and drums)

1:03 · 95 BPM

Strident Elizabethan romp featuring assorted reeds and stirring percussion. (60 sec A of PMOL 122 Tk22)

1:02 · 95 BPM

Strident Elizabethan romp featuring assorted reeds. (60 sec B of PMOL 122 Tk22 without drums)

1:02 · 95 BPM

Strident Elizabethan romp featuring assorted reeds and stirring percussion. (30 sec A of PMOL 122 Tk22)

0:31 · 95 BPM

Strident Elizabethan romp featuring assorted reeds. (30 sec B of PMOL 122 Tk22 without drums)

0:31 · 95 BPM

Arrangement of John Downland's popular Renaissance dance tune written in 1604 featuring recorder, viol, lute and percussion. (Main Version)

1:23 · 114 BPM

Arrangement of John Downland's popular Renaissance dance tune written in 1604 featuring recorder, viol, lute and percussion. (30 sec of PMOL 122 Tk30)

0:32 · 114 BPM

Elegant Elizabethan keyboard music (on virginal) by William Byrd (1543-1623). (Main Version)

5:20 · 114 BPM

Elegant Elizabethan keyboard music (on virginal) by William Byrd (1543-1623). (60 sec of PMOL 122 Tk32 - with alternate end chord)

1:03 · 114 BPM

Elegant Elizabethan keyboard music (on virginal) by William Byrd (1543-1623). (30 sec of PMOL 122 Tk32 - with alternate end chord)

0:31 · 114 BPM

Orchestra and Renaissance instruments build with suspenseful cinematic drama to grand finale. (Main Version)

1:54

Build to grand finale - Orchestra and Renaissance instruments build with suspenseful cinematic drama to grand finale. (30 sec of PMOL 122 Tk35)

0:33

Courtly Tudor solo lute 'Galliard' by John Downland (1563-1626) dedicated to Queen Elizabeth I. (Main Version)

1:27 · 73 BPM

Courtly Tudor solo lute 'Galliard' by John Downland (1563-1626) dedicated to Queen Elizabeth I. (60 sec of PMOL 122 Tk37)

1:02 · 73 BPM

Courtly Tudor solo lute 'Galliard' by John Downland (1563-1626) dedicated to Queen Elizabeth I. (30 sec of PMOL 122 Tk37)

0:32 · 73 BPM

Arrangement of William Byrd's 'Ave Verum Corpus' played on Tudor instruments. Solemn and beautiful. (Main Version)

3:49 · 70 BPM

Arrangement of William Byrd's 'Ave Verum Corpus' played on Tudor instruments. Solemn and beautiful. (60 sec of PMOL 122 Tk40)

1:04 · 70 BPM

Arrangement of William Byrd's 'Ave Verum Corpus' played on Tudor instruments. Solemn and beautiful. (30 sec of PMOL 122 Tk40)

0:32 · 70 BPM

Simple musical backdrop to Tudor life feat. pipe with lute and drum. (Main Version)

1:42 · 100 BPM

Simple musical backdrop to Tudor life feat. pipe with lute and drum. (30 sec of PMOL 122 Tk43)

0:31 · 100 BPM

Light background to everyday Tudor/Renaissance life feat. pipes, lutes and drum. (Main Version)

2:53 · 100 BPM

Light background to everyday Tudor/Renaissance life feat. pipes, lutes and drum. (Alternate lighter version of PMOL 122 Tk45 without bass)

2:53 · 100 BPM

Light background to everyday Tudor/Renaissance life feat. pipes, lutes and drum. (60 sec A of PMOL 122 Tk45)

1:01 · 100 BPM

Light background to everyday Tudor/Renaissance life feat. pipes, lutes and drum. (60 sec B of PMOL 122 Tk45 - lighter without bass)

1:01 · 100 BPM

Light background to everyday Tudor/Renaissance life feat. pipes, lutes and drum. (30 sec A of PMOL 122 Tk45)

0:31 · 100 BPM

Light background to everyday Tudor/Renaissance life feat. pipes, lutes and drum. (30 sec B of PMOL 122 Tk45 - lighter without bass)

0:31 · 100 BPM

Light background to everyday Tudor/Renaissance life feat. pipes, lutes and drum. (14 sec Sting A of PMOL 122 Tk45)

0:14 · 100 BPM

Light background to everyday Tudor/Renaissance life feat. pipes. (14 sec Sting B of PMOL 122 Tk45 - solo recorders and no backing)

0:14 · 100 BPM

Instrumental of romantic song written by Thomas Campion in 1618 featuring bagpipe and other Tudor instruments. (Main Version)

2:03 · 100 BPM

Instrumental of romantic song written by Thomas Campion in 1618 featuring bagpipe and other Tudor instruments. (60 sec of PMOL 122 Tk53)

1:01 · 100 BPM

Instrumental of romantic song written by Thomas Campion in 1618 featuring bagpipe and other Tudor instruments. (30 sec of PMOL 122 Tk53)

0:32 · 100 BPM

Arrangement of Thomas Tallis' Tudor lament played with viola da gamba, recorders, sackbutts, lute and percussion. (Main Version)

1:48 · 88 BPM

Arrangement of Thomas Tallis' Tudor lament played with viola da gamba, recorders, sackbutts, lute and percussion. (60 sec of PMOL 122 Tk56)

1:02 · 88 BPM

Arrangement of Thomas Tallis' Tudor lament played with viola da gamba, recorders, sackbutts, lute and percussion. (30 sec of PMOL 122 Tk56)

0:30 · 88 BPM