Rinascimento

Sweet and relaxed curtal melody in a counterpoint with the following lively allegro tune.

3:23 · 114 BPM

Lute intro for a solemn flute melody, with cello accompaniment. Sudden changes in rhythm and melody invite to dance from 0:11 to 1:39, then returning to the initial rhythm and melody.

2:29 · 66 BPM

Slow lute ternary rhythm intro leading to a cozy allegro in a variety of counterpointing dialogues.

3:22 · 133 BPM

Slow meditative lute intro followed by a flute (accompanied by cello) for a more urgent rhythm, evolving into a more melancholic melody. The ending returns to the initial rhythm and melody, adding a ternary conclusion.

1:39 · 140 BPM

Urgent folk dance for flute with lute accompaniment. Rotund melody and fast rhythm.

1:28 · 182 BPM

Unbroken urgent dialogue between flute and curtal with rhythm and melody variations.

3:04 · 70 BPM

Branle, in Italian called Brando, is a Late Medieval bright and lively court dance widespread all over Europe at that time. The typical lilting rhythm of the genre is presented as slightly more somber and courteous in this song .

1:56 · 200 BPM

A contralto flute melodic line for a Pavana, the court dance famous for its peculiar, somber and moderate nature (typically in binary rhythm), which had its fortune in the 16th and 17th century.

2:28 · 84 BPM

An ostinato bass line for a very popular dance in the Italian Renaissance: the Passamezzo. Characterized by a bold break between the two parts, the rhythm becomes more and more incisive from 1:29 on.

3:18 · 130 BPM

Tripartite tune with coinciding beginning and closure and a second part in G tonality, featuring a rough tenore viola.

2:22 · 90 BPM

Slow lute, tenore viola and flute intro followed by an allegro in the perfect style of the Renaissance from 2:04 on.

3:06 · 53 BPM

Solo lute slow intro followed by a cello-driven second part, and a lively ending. Inspired by the harmony of the Follia, typical theme of the Renaissance.

2:25 · 54 BPM